Singer Yoyo’s candid comeback concert on tomorrow

POLLY KAMUKAMA

All roads will tomorrow lead to the National Theatre in Kampala where singer Yoyo is set to hold his first concert in over 18 months.

Dubbed Yoyo 256: The Reflect, the rather unique show will see the 34-year-old entertainer share candid details of his colorful life in the spotlight, right from when he broke out a decade ago as a stage actor with the now defunct Obsessions group.

Yoyo is set to reflect on some of the major highlights of his  nine-year-old career, including his turbulent love life, at his comeback concert tomorrow.

Yoyo is set to reflect on some of the major highlights of his nine-year-old career, including his turbulent love life, at his comeback concert tomorrow.

The concert, which Yoyo says will be happening every October, will take a documentary-style format, featuring a live performance, interactive sessions with the audience, as well as a montage of the Ansana crooner’s filmography and theatre appearances.

“I want to share my personal journey as an entertainer with my fans. I want to open up to them about my music, acting and personal struggles as well as my future plans,” Yoyo told us in an exclusive interview yesterday.

The hunky entertainer, born Martin Nkoyoyo, has had his fair share of ups and downs since bursting onto the showbiz after stints as a teacher and marketer.

Besides enjoying a relatively successful acting career playing villains, Yoyo has also scored a number of hit singles including Ansana, Nkwekute, Simuleka and Love Box, which catapulted him to stardom and cemented his name as a local RnB star.

The concert, which Yoyo says will be held every year, will be the first in over 18 months for the singer.

The concert, which Yoyo says will be held every year, will be the first in over 18 months for the singer.

But he has largely been quiet since his second album, Simuleka, was released to massive acclaim last March.

He has only released two songs since then – I swear and most recently, My Love – which are clearly no match to his previous romantic music that turned him into a household name.

The Bachelor of Arts in Arts graduate and former literature teacher has also been very unlucky with women, with two of his previous relationships ending amid media frenzy and leaving him totally broken.

The first woman, with whom he was planning to get married, denounced him on national TV after he had discovered that she had been extorting money from him to take care of a child she had had by another man.

Yoyo says the show will take a documentary-style featuring a live performance, interactive segments with his fans, and a montage of his work as an actor.

Yoyo says the show will take a documentary-style featuring a live performance, interactive segments with his fans, and a montage of his work as an actor.

His next girlfriend also left a sour taste by attempting to commit suicide after she had suspected him of cheating.

He is however now reported to have settled down with an American woman whom he unveiled to friends and family at a surprise party last year.

And Yoyo, known to be very frank and down-to-earth, has promised to bare all about these scandals and much more at tomorrow’s concert.

“The general idea for this show is to give my fans an honest and comprehensive review of my career in the last 365 days, which is a complete year,” Yoyo asserted.

He however explaining that tomorrow’s show will instead focus on his entire career rather than just 12 months since it is the first in the series.

It is slated to start at 7pm, and it will also feature the premiere of Yoyo’s latest music as well as a mobile app that will enable fans to keep track of him on their smart phones.

Tickets are selling at Shs30, 000 at the theatre box office. See you there.

kamukamapolly@gmail.com

 

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New film pays homage to dusty Kampala

POLLY KAMUKAMA

A new Ugandan film that delves into Kampala’s notorious image as a city that chokes on dust and fraudsters is set to premiere next month.

Aptly titled City of Dust, the feature film is a poignant story of broken dreams, greed and human ambitions as told through the experiences of its main character, a petty conman named Mugisha.

The film's lead actor, James King Bagyenzi (R), seen here in one of the scenes with fellow actor, Felix Bwanika.

The film’s lead actor, James King Bagyenzi (R), seen here in one of the scenes with fellow actor, Felix Bwanika.

Mugisha, played by James King Bagyenzi, gets his life turned around in a matter of days after coming into contact with a large sum of money.

As the plot unravels, and things begin to fall apart, the young man’s relationships and dreams are put to a serious test.

“It is partly inspired by my own experiences as well as those of my friends,” the film’s Korean-American director, Young Gul Kim, says of a project that started out as short film back in 2010.

The film will premiere at the National Theatre in Kampala on November 11, 2014.

The film will premiere at the National Theatre in Kampala on November 11, 2014.

The 24-year-old filmmaker, who has been living in Uganda with his expatriate parents since he was four, says he has been a victim of many violent muggings and con schemes from since he was a child growing up in the upscale suburb of Muyenga.

He thus set out to make a film that explores the causes and effects of making a living off scamming people.

While he sourced his story by talking to friends and fraudsters, Kim, who prefers to be called a storyteller rather than a filmmaker, came across many dramatic firsthand that could only be accommodated in a full-feature film.

Kim (with camera), then a 20-year-old student, is scene in this photo taken on the film's set in 2010.

Kim (with camera), then a 20-year-old student, is scene in this photo taken on the film’s set in 2010.

He had previously struggled to make a short film that went on to participate at the 2009 Amakula Film Festival in Kampala, but a feature proved to be a different beast all together.

To begin with, Kim had no script so much of the scenes in the film ended up being improvised by his friend and collaborator, the Ugandan actor and martial artist Carlos Ombonya.

The crime-drama then had to endure a lengthy hiatus as Kim traveled back to America to complete his studies in Interactive Entertainment.

James King Bagyenzi plays the film's lead actor, Mugisha, a conman and slum-dweller whose life takes a U-turn upon coming into contact with a huge sum of money.

James King Bagyenzi plays the film’s lead actor, Mugisha, a conman and slum-dweller whose life takes a U-turn upon coming into contact with a huge sum of money.

The University of Southern California graduate and son of academician parents also says he had to sell all his belongings to be able to raise the money needed for the film’s completion.

Now, the motor racing diehard who’s yet to acquire Ugandan citizenship despite having lived and studied here nearly all his life, is hopeful Dust will get the youth thinking about some of the decisions that they make.

Above all, however, he is optimistic the film will raise fresh awareness about the plight of street kids and slum-dwellers.

The film has been described as a portrait of shuttered dreams, and its producers hope that it  gets young people to think about the decisions they make in life.

The film has been described as a portrait of shuttered dreams, and its producers hope that it gets young people to think about the decisions they make in life.

City of Dust, a figurative play on Kampala’s bad image as a dusty city with many thugs, is described on its website as a story of one man in a city full of new and lost dreams.

Its one-minute forty five-second trailer doesn’t offer many details, but nonetheless gives some insights into Mugisha’s rather pitiful life before and after his dream jackpot.

In one scene, the stern-faced conman appears pensive as he wades his way through a filthy ghetto before being punched and manhandled by an angry-looking thug in another.

Dust boats a stellar cast including Bagyenzi, Ombonya, Felix Bwanika, Leone Menya and Maureen Jolly Nankya.

Tickets to the November 11 National Theatre premiere go for Shs 50, 000 and Shs, 15,000 for VIP and ordinary seats, respectively.

You can call 0786407144 to for bookings.

kamukamapolly@gmail.com

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Singer Jose Chameleone is a drug lord in new Shs2.5bn film

POLLY KAMUKAMA

It has already become a hit in Asia and the Middle East following its initial release there.

And now, Luzira: Escape from Uganda, the $1m (about Shs 2.5bn) budget film that was entirely shot in Uganda and features an all-star cast from both Uganda and India, is finally coming home.

A behind-the-scenes photo shows the film's lead character preparing to be hanged.

A behind-the-scenes photo shows the film’s lead character preparing to be hanged.

The action thriller will premiere at Serena Hotel in Kampala on November 7, after which it will embark on an extensive theatrical tour across the city starting with Century Cinemax on November 8.

Directed by Rajesh Nair, a 36-year-old Indian filmmaker who has lived a great deal of his life in Uganda, the film is inspired by a true story of a young Indian family who found themselves entangled in a double murder plot while residing in Kampala.

It casts award-winning Indian actress and former beauty queen, Rima Kallingal, in the lead role as the housewife and mother who is wrongfully accused of murdering two people and is subsequently sent to Luzira prison.

Veteran actor Micheal Wawuyo Sr and singer Jose Chameleone feature prominently on the film's promotional poster.

Veteran actor Micheal Wawuyo Sr and singer Jose Chameleone feature prominently on the film’s promotional poster.

Another Indian star, known simply as Parthieban, plays the role of a loving husband and father who engineers a suicidal plan to help his wife escape from the maximum security prison.

The film, penned by three eminent Indian screenwriters who together call themselves the 3G, also features an array of celebrated Ugandan actors including Micheal Wawuyo Sr, Sam Bagenda and Wilberforce Mutete.

Miss Uganda patron, Brenda Nanyonjo, martial artist, Carlos Ombonya, and beauty queen and TV host, Anita Kyarimpa Fabiola also make an appearance.

Another behind-the-scenes picture shows Police raiding a palatial home belonging to a notorious drug lord, played by singer Jose Chameleone.

Another behind-the-scenes picture shows Police raiding a palatial home belonging to a notorious drug lord, played by singer Jose Chameleone.

But it is singer Jose Chameleone who will surprise the audience despite only playing a cameo role.

The Wale Wale star does not feature in the film’s original version that was released November last year in Asia under the title, Escape from Uganda.

Producers however felt compelled to fix him in the film’s Ugandan version that is set for premiere next month.

The action-packed thriller is stars 30-year-old award-winning Indian actress and former beauty queen, Rima Kallingal, seen here posing with a Ugandan fan at the film's wrap-up party held in Kampala last year.

The action-packed thriller is stars 30-year-old award-winning Indian actress and former beauty queen, Rima Kallingal, seen here posing with a Ugandan fan at the film’s wrap-up party held in Kampala last year.

“We wanted to bring a high degree of Uganda flavor to the film so as to be able to engage the local audience more keenly,” the film’s producer, Girisch Nair, said of his decision to give one of Africa’s finest musicians his first acting gig.

But the move, which will no doubt sell the film given the singer’s huge fan base, came at an extra cost considering that new scenes had to be shot and the film had to be reedited.

Girisch, whose film production company, River Nile Motion Pictures (RNMP) Ltd, has branches in both Uganda and India, is however confident Luzira will make enough profits to clear all the overdrafts.

The embattled Indian couple is seen trying to flee the country by boarding a ship in this behind-the-scenes picture.

The embattled Indian couple is seen trying to flee the country by boarding a ship in this behind-the-scenes picture.

Meanwhile, the singer, who together with his colleague Irene Namubiru lent their vocals to the film’s soundtrack, has taken to social media to share his excitement at having appeared in a film for the first time in his life.

In an October 10 Facebook post, the Tubonge crooner revealed that he is playing the character of Don Dada, a ruthless chain-smoking drug lord and source of suffering for the Indian family.

In the film’s new trailer, uploaded on YouTube yesterday, Dada appears animated as he sits in a casino discussing business with another man, cigarette in hand.

The one-minute fifty-second clip also offers some insights into the film’s high production value with scenes featuring breathtaking scenery, high-speed car chases, shootouts and bloody fist fights.

It took two good months for a team of over 100 cast and crew members to shoot the English language film across 60 locations in Jinja, Kampala and Entebbe.

Hi-tech filming equipment worth five tons also had to be flown in from India, but whether all this glitz was worthwhile remains to be seen at the premiere.

We will update on ticket bookings.

kamukamapolly@gmail.com

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Actor accused of human trafficking turns the tables on love rival

POLLY KAMUKAMA

Embattled Ugandan actor Joel Okuyo Pryce has finally come out to deny allegations that he is a human trafficker, and instead blames a love rival for his predicament.

The acclaimed actor has for two year now been a subject of police investigations and scandalous media reports accruing from his alleged connections to a notorious human trafficking racket.

Prynce, seen here in a scene from 'SRB', has been battling a string of problems since 2012.

Prynce, seen here in a scene from ‘SRB’, has now turned guns on a love rival identified as Stephen Lucas Seryazi.

Now, the multi-award winning entertainer and billboard model has told this blog that the allegations are a part of an elaborate smear campaign instigated against him by an ex-boyfriend of his girlfriend.

Speaking exclusively to us last week, Prynce identified the man in question as Stephen Lucas Seryazi, a pilot attached to the UN.

“He is using his influence and wealth to tarnish my name because he is so jealous that the girl left him for me. He has been bribing police and some journalists to torment me,” he said, seemingly troubled.

The 31-year-old actor and his girlfriend, one Dolly Phionah, met in the fall of 2011 and quickly fell in love. The couple now lives together in Seeta-Mukono and has an infant daughter.

The acclaimed actor has endorsed a number of big companies, thanks to his fame, talent and athletic build.

The acclaimed actor has endorsed a number of big companies including Tanzania’s Safari Lager, thanks to his fame, talent and athletic build.

But the 2009 AMAA award-winning actor says he only got to learn of Phionah’s previous romance with Seryazi sometime last year having initially fed on her lie that the airline captain was her father.

“The first time I met him in 2012 he was very rude to me but I passed it off as a normal reaction from an over-protective father,” Prynce recounted the moment he now regrets.

“I should have read between the lines back then because I now know that he was up to no good. He is so jealous and it is clear he won’t stop at nothing to see me get hurt,” he adds.

The dreadlocked actor, whose undeniable talent and athletic build has earned him huge endorsement deals with a number of multinationals, says Seryazi is behind all the misery he has had to endure.

The burly actor (R) made a rare public appearance at last year's Uganda Film Festival (UFF) finale where 'SRB', a film he headlined, emerged the biggest winner. He has largely become reclusive ever since the human trafficking allegations started making rounds in 2012.

The burly actor (R) made a rare public appearance at last year’s Uganda Film Festival (UFF) finale where ‘SRB’, a film he headlined, emerged the biggest winner. He has largely become reclusive ever since the human trafficking allegations started making rounds in 2012.

His ordeal started on the morning of December 18, 2012 – right at the peak of his career – as he went shopping at Garden City mall in Kampala.

He was brutally arrested by a group of plain-clothed security officials from the Special Investigations Unit (SIU) on charges of trafficking in humans.

The SIU, a security agency that deals with the most hardened criminals such as terrorists, was acting on a tip off from The Red Pepper tabloid, which a few days earlier had published a sensational story claiming that the S.R.B actor was the kingpin of a syndicate responsible for selling thousands of innocent Ugandan girls to work as sex slaves in Asia.

The article quoted an anonymous source claiming that Prynce lured her and other girls to their fate with a promise of a job as marketers in Malaysia.

Prynce, seen here in a screenshot of an advert done for Warid Telecom in Congo,  has an infant daughter with his girlfriend.

Prynce, seen here in a screenshot of an advert done for Warid Telecom in Congo, has an infant daughter with his girlfriend.

While working as a sex slave, the source claimed, she saw girls being raped, tortured and mutilated, and their delicate body organs sold for a killing on the black market.

Prynce however now believes the case, which up to now still lingers at SIU and has effectively rendered him unusable since no company wants to associate with a human trafficking suspect, was fueled by Seryazi.

“I have never been a human trafficker, and I have no idea how that business operates. I am an upright man and law abiding citizen of this country,” says the actor who dreams of winning an Oscar some day.

And his claim seems to hold merit given that no victim has ever come out to pinpoint him regardless of the media attention his case has received.

The hunky star was the first man to be profiled by the now defunct African Woman magazine.

The hunky star was the first man to be profiled by the now defunct African Woman magazine.

He has also on a number of occasions been part of criminal identification parades at SIU, but no victim stepped forward.

But the burly actor, whose father is a high-ranking army officer in the UPDF, has been accused of using his own connections in the military to silence his purported victims.

Records show that he sought a temporary clearance from Interpol on the issue of human trafficking. But this hasn’t stopped other problems from finding their way to ‘the prince’ as he is often called.

In March last year for example, he was denied a visa to travel to USA as the lead actor in the controversial play, The River and the Mountain, which had been outlawed in Uganda a year before on grounds of promoting homosexuality.

Prynce and his regular collaborator, director Matt Bish, seen here in a picture taken at the UFF 2014 finale in August where he is accused of assaulting a Red Pepper journalist.

Prynce and his regular collaborator, director Matt Bish, seen here in a picture taken at the UFF 2014 finale in August where he is accused of assaulting a Red Pepper journalist.

Prynce plays the character of a gay factory owner, Samson, who is brutally killed by his own workers in a homophobic attack after attempts to get him ‘cured’ hit a snag.

Once his initial visa application was turned down on March 15, high-ranking American politicians strenuously lobbied the US embassy in Kampala to review their decision but to no avail.

Three months later, Seryazi – whom Prynce says is old enough to be his dad – opened up a burglary and theft case against the actor and his girlfriend.

Case No. CRB 1781/2013 at Mukono Police Station states that the UN pilot suspected the couple to have broken into his house and made off with furniture, kitchen appliances and entertainment equipment.

Prynce in action as the tragic gay factory owner in the outlawed play, The River and the Mountain. He was in March last year denied a visa to travel to the US as part of the play's cast.

Prynce in action as the tragic gay factory owner in the outlawed play, The River and the Mountain. He was in March last year denied a visa to travel to the US as part of the play’s cast.

A successful raid was subsequently carried out on the couple’s house although Prynce still insists that neither he nor Phionah stole anything.

“Some of that property actually belonged to me. The rest had been given to Phionah as gifts while she was still with Seryazi,” explained the man who has acted in over 30 films and plays across the world in a career spanning since his primary school days.

The Imbabazi star and former face of Nile Breweries is also currently battling an assault and malicious damage case involving a Red Pepper journalist.

Meanwhile, the tabloid has been relentless in dishing out dirt on the actor through a series of sensationalized articles that paint him as a violent criminal on the run.

Prynce's humble prayer now is that his love rival, one Lucas Seryazi, can get over his girlfriend so he can stop tormenting him.

Prynce’s humble prayer now is that his love rival, one Lucas Seryazi, can get over his girlfriend so he can stop tormenting him.

But the actor, who admits he had a violent temper growing up but has since tamed himself with the help of martial arts and gyming, is instead more worried about the toll his alleged connection with the criminal underworld is taking on his life and career.

So far, angry mobs have attacked his house twice, and he continues to be a target of hateful comments on social media. He has also been dropped by nearly all his employers out of fear working with him would tarnish their images.

A former teaching assistant at UCU, the actor has had his relationship with the Christian University – along with such other companies as MTN, Airtel and Stanbic Bank – reviewed since the human trafficking allegations first came out in 2012.

MultiChoice, the giant cable TV that runs M-Net, has also technically struck the celebrated actor off the cast of their Kona series where he was paid a cool Shs1.5m per episode of the hit boxing drama.

The move is believed to have stemmed from a bitter email sent to the company on September 8 last year by a one Axel Nakku, a purported employee of UNICEF, warning that is was very insensitive for MultiChoice to keep employing Prynce.

“Your organization displayed total lack of social responsibility by parading Prynce as an M-net celeb when he has been involved in sex trade and human body parts trafficking,” reads in part the email that came in the aftermath of Kona premiere in Kampala and was copied to Seryazi’s work email.

“We urge M-Net to exercise mature social responsibility by not allowing people who do harm to society to self-praise their unsocial achievements by being flashed at M-Net events,” continued the rant.

Nile Breweries has also cut off ties with the Battle of the Souls actor who in 2012 was paid $6000 (about Shs15m) to grace the beer company’s commercial that aired in Uganda, Tanzania and Ghana.

In the catchy ad, Prynce assumes the role of a hardworking mechanic who winds down his days by drinking his favorite beer.

But the loss of millions of money in canceled deals has now left him struggling to put food on the table.

“My humble prayer now is that the file at SIU be closed and my name cleared. I also want police to get to the bottom of this human trafficking trade so that the real culprits are caught and punished,” Prynce says.

Asked why it took him so long to come out and defend his name, the outspoken actor said that he had hoped that police would resolve the matter quickly.

Now he finds himself having to use drastic approaches including possible lawsuits against Seryazi, Red Pepper and even Uganda Police.

He has also written a ten-page letter to Kale Kaihura, the Inspector General of Police (IGP), detailing his frustration at the sloppiness with which his case is being handled at SIU.

But as it now appears, how fast he will get his justice depends on Seryazi’s ability to get over Phionah.

kamukamapolly@gmail.com

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Tanzania bans Ugandan film ‘The Route’

POLLY KAMUKAMA

The Route, the audacious Ugandan film about human trafficking and sex slavery, has been banned in Tanzania.

Kenya-based arts news website ArtMatters.Info is reporting that the hit film, which has captivated audiences world over since premiering last July, was last week given the red flag by the Tanzanian Censorship Board on grounds of being culturally pervasive.

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RUNAWAY HIT: The audacious film has screened all over the world and pocked a couple of awards.

The feature film, written and directed by Jayant Maru, had been selected to participate at the just concluded third annual Arusha African Film Festival (AAFF) in Arusha, Tanzania.

The country’s censors however blacked it out when the festival submitted it in for review ahead of its scheduled screening as required by law.

The film was apparently found to show too much sex and nudity, and was therefore considered a threat to the Tanzanian culture, says the article whose author attended the festival.

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AWARD WINNER: The film’s director, Jayant Maru (R), seen here with actors Mathew Nabwiso and Cleopatra Kohairwe, after winning the Best Feature Film award at last year’s Ndiff.

The article further reports that the festival organizers, who are yet to release a statement on the matter six days on since the eight-day cinema showcase ended, did not bother to contest the censors’ decision.

They also did not contact Maru, who did not attend the festival because it was clashing with a trip to USA where he is currently attending a series of human rights conferences courtesy of the film.

The 25-year-old filmmaker and graduate of Sociology & Law from the prestigious London School of Economics in the UK, was shell-shocked when we broke the news to him yesterday.

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CONTROVERSIAL: Part of the film’s cast and crew as seen at its Kampala premiere last year where some sections of the audience found it hard to watch it’s numerous explicit scenes.

“No one has informed me about this. The last time I heard from them (festival) is when they sent me an email saying my film was scheduled to screen. They even posted its screening schedule on their website,” a seemingly furious Maru told us from the Washington, USA.

The youngster who is of Indian descent and is touted as one of the bright stars of tomorrow’s Ugawood said he was disappointed with the censors’ decision because it deprived audiences of an opportunity to watch a film about some of the worst human rights violations.

The Route was borne out of Maru’s 2011 undergraduate thesis that saw him talk to various victims and perpetrators of human trafficking across the world.

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BANNED: The film has been banned on grounds of “cultural perversion because it shows too much sex and nudity”

Using his own funds, he produced the film that has since gone on to screen at international festivals in Kenya, Rwanda, Nigeria, Malawi and USA among other countries, where it has won critical acclaim and a number of awards.

But the film, his first project as a director, has also had its fair share of controversies. It miraculously survived Ugandan Censorship Board with an 18-rating, the most restrictive classification category in the country’s film-rating system.

And during the film’s premiere at the National Theatre in Kampala, some members of the audience couldn’t stand the rape and torture subjected to the lead character – a poor village girl sold off into the seedy world of sex trade in Asia.

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SILVER LINING: In a dramatic twist of events, another Ugandan film, The Superstition, directed by Paresh Gondaliya (C), emerged victorious at the Arusha festival, where actresses (L-R), Pretty Katende, Lindsay Mbabazi and Irene Milka attended a workshop.

But Maru, whose latest film K3nt & Kat3 is themed on Dyslexia, a form of autism that affects the child’s learning and speaking abilities, insists The Route’s rawness is justified.

“I did not want to sugarcoat the suffering and brutality that millions of trafficked girls across the world are subjected to. I wanted to tell the truth,” Maru said of the film that took the Best Feature award at last year’s Ndiff, explaining that the film is meant to create awareness than to entertain.

Already, the film has been adopted as an advocacy tool to promote women and children’s rights in Uganda by a number of organizations including the American embassy in Kampala which is sponsoring his US trip.

And the young artist says the Tanzania ban, which will no doubt ultimately work in his favor by raising public interest in his works, won’t deter his passion of making socially provocative films that promote human rights.

Meanwhile, in a rather dramatic twist of events, Ugandan film, The Superstition, continued its impressive run by winning this year’s AAFF Best Feature Film award.

The accolade is the second in two months for the child sacrifice-themed film that premiered this July, and has since been selected to participate at a number of international festivals.

The film was represented by one of its supports Lindsay Mbabazi, who together with fellow Ugandan actresses, Irene Milka and Pretty Katende, was part of the festival’s hands-on Acting workshop.

kamukamapolly@gmail.com

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Wako, a gangster film about cervical cancer

POLLY KAMUKAMA

Barely two months after premiering The Superstition, Ugandan filmmaker, Aaron Zziwa, is back on set to work on what he says is the biggest project of his career so far.

Entitled Wako, the feature film is set in Kampala’s underworld and charts the story of a young hustler who is drawn into a world of crime in a desperate attempt to save his cervical cancer-stricken sister.

TOUCHING: 'Wako' charts the story of a young hustler on a desperate mission to raise money needed to operate his cervical cancer-stricken sister.

TOUCHING: ‘Wako’ charts the story of a young hustler on a desperate mission to raise money needed to operate his cervical cancer-stricken sister.

And Zziwa, a self-taught filmmaker who started out as an actor eight years ago, says the film is way into its shoot and will likely wrap-up by end of this year to allow for an early 2015 release.

Speaking exclusively to this blog yesterday, the youthful filmmaker who is shy about his age revealed some exciting tidbits about a film he is already proudly promoting on social media as a ‘big bang’.

“This is a story that is so close to my heart because I have lost a couple of close friends and family members to cervical cancer. I have also seen how young underprivileged people struggle to survive in Kampala,” Zziwa said of the inspiration behind the story he conceived early this year while still working on Superstition with Paresh Gondaliya.

GANGSTER: The film is set in Kampala's underbelly where ruthless gangs terrorize neighborhoods with impunity.

GANGSTER: The film is set in Kampala’s underbelly where ruthless gangs terrorize neighborhoods with impunity.

The film thus follows two intertwining threads with a mix of turns and twists for equal measure, he says.

It casts first-rising actor Geoffrey Echakara in the titular character, Wako – a slumdog and petty thief who returns from jail to find his young sister dying of cervical cancer.

Despite being a young boy himself, Wako has to assume a fatherly role to his two siblings because their single father (played by Roger Masaba) is all but a drunken womanizer.

DESPERATE: In order to be able to raise money for his sister's treatment, Wako takes to the bloody and illegal sport of street brawling.

DESPERATE: In order to be able to raise money for his sister’s treatment, Wako takes to the bloody and illegal sport of street brawling.

In a race against time to raise money for his sister’s operation, Wako joins the bloody sport of street fighting that is controlled by violent gangs that trade in anything from guns to prostitutes.

“I am drawing so much from my personal experience to play this part I feel like the whole film is about me,” says Echakara who admits to having previously ‘hustled on the streets for survival.’

The 25-year-old actor, who bears an uncanny resemblance to the Beninese-American Hollywood star Djimon Hounsou, naturally fit in the physically-demanding role given his athletic build and experience acting in several local action movies by the famed Wakaliwood studio.

GRINDING: To be able to perfect the role of Wako, Geoffrey Echakara adopted an intense workout regimen between takes as seen in this picture.

GRINDING: To be able to perfect the role of Wako, Geoffrey Echakara adopted an intense workout regimen between takes as seen in this picture.

He has however had to make some sacrifices to nail the part including cutting off his signature braided beard and adopting an intense workout routine that sees him knockout hundreds of pull-ups between takes.

Echakara is leading an ensemble cast in this full-directorial debut by Zziwa, including Masaba, Jayant Maru, and Ernest Bbumba, most of whom were a part of Superstition.

Bbumba, an actor many believe is one of the finest in Uganda today, reprises his role as the main antagonist, this time around a wild-haired trigger-happy gang kingpin named Mugi.

TERRIFYING: Ernest Bbumba, seen here in his role as the film's antagonist, Mugi, has made himself a name playing villainous characters, and is considered one of the best actors in Ugandan at the moment.

TERRIFYING: Ernest Bbumba, seen here in his role as the film’s antagonist, Mugi, has made himself a name playing villainous characters, and is considered one of the best actors in Ugandan at the moment.

A picture taken on the film’s set in the notorious Giza Giza slum in Mbuya shows a bloodshot grungy-styled Bbumba pinning a pistol to the forehead of a terrified man as another gangster stands by with a sledgehammer in his hand.

“My cast and crew have been amazing. They even contributed towards funding the film’s production,” Zziwa says of Shs20m budget picture he wrote, produced and directed.

He has also had to take a bank loan but is nonetheless optimistic he will make enough profits once the film goes to market early next year, thanks to its wide appeal and critical subject matter.

According to recent Ministry of Health reports, Uganda loses at least 2,500 women to cervical cancer every year. Most of the fatalities are due to lack of access to proper health facilities – there are apparently only 50 cervical cancer diagnosis (cryo therapy) machines in the country.

DOPPELGANGER: The film's lead, Geoffrey Echakara, seen here on set a few days back, could pass for Hollywood star Djimon Hounsou thanks to their close resemblance.

DOPPELGANGER: The film’s lead, Geoffrey Echakara, seen here on set a few days back, could pass for Hollywood star Djimon Hounsou thanks to their close resemblance.

The disease dubbed ‘silent killer’ due to the fact that symptoms usually show when it has reached advanced stages is rare in women below the age of 25.

The most at risk victims are those who start sexual activity at an early age and those with multiple sexual partners – trends common in city slums.

Meanwhile, Superstition continues to impress after winning the Best Editing award at last month’s Uganda Film Festival (UFF). It has since been selected to participate at a number of international festivals including Arusha (Tanzania), Abuja (Nigeria), Ugu (S.Africa) and Silicon Valley in U.S.A.

Whether Wako will beat that remains to be seen.

kamukamapolly@gmail.com

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Ugandan artists trained in human rights

POLLY KAMUKAMA

The government of Uganda has for long been accused of suppressing freedom of creative expression and sidelining the arts sector.

And now, artists and civil society organizations have been called upon to step up and challenge the status quo by petitioning government to address the many challenges affecting the industry.

Participants and their trainers posing for a photo at the end of the workshop.

Participants and their trainers posing for a photo at the end of the workshop.

The call was made last week during a three-day training workshop held at Hotel Triangle in Kampala to enlighten artists, civil societies and government agencies about issues relating to human rights and the creative industry.

The workshop is part of the ongoing Artwatch Africa Project which seeks to monitor, report, protect and defend freedom of creative expression in 15 African countries before the end of this year.

The project incorporates trainings, research and advocacy work for arts and cultural practitioners, and is organized by Arterial Network – a renowned arts and cultural association based in South Africa and with branches across the continent.

Artwatch Africa project manager, Diana Ramarohetra, overseeing one of the exercises at the workshop.

Artwatch Africa project manager, Diana Ramarohetra, overseeing one of the exercises at the workshop.

Participants at the Uganda workshop were told of government’s obligation to establish a democratic arts environment by respecting freedom of creative expression, providing funds for artists and creating a market for arts and cultural products among other incentives.

“The fight for artistic rights begins with you, but you must first be organized before you can begin to engage government,” Peter Rorvik, Arterial Network’s Secretary General and one of the workshop’s facilitators, told the over 20 participants.

Acknowledging that most artists in Africa are naïve about their rights, Rorvik stressed the need for creative industry players to get well versed with the various local and international legal charters.

Cameroonian lawyer and Artwatch Africa project facilitator, Mabelle Nforchu, teaching Ugandan artists about their rights at the workshop.

Cameroonian lawyer and Artwatch Africa project facilitator, Mabelle Nforchu, teaching Ugandan artists about their rights at the workshop.

The 1995 Ugandan constitution does not ensure the freedom of creative expression but nonetheless does guarantee freedom of expression and the right of association.

The country also ratified a number of regional, continental and international declarations that compel it to respect human rights and creative liberty. Among these include the Universal Declaration Universal Declaration of Human Rights (UDHR) and the International Covenant on Economic, Social and Cultural Rights (ICESCR).

Interestingly, however, the government has done little to honour its obligation to the sector despite continued cries from industry practitioners.

Tucked under the Ministry of Gender, Labour and Social Development (MGLSD), the sector receives less than 2% of the annual ministry budget. The current education system also sidelines arts subjects.

But the Artwatch project is promising to go a long way in addressing these issues. Launched mid this year, the project uses a multi-dimensional and human rights-based approach to lobby African governments.

A recent research published by Arterial Network as part of the project shows damning levels of artistic rights violation in several African countries with Uganda, Cameroon, Ethiopia and Senegal being among the worst offenders.

“We are also working to defend artists who are under duress by documenting their stories and presenting them to human rights defenders and other necessary authorities,” the project’s coordinator, Diana Ramarohetra, told this blog.

The workshop was held in collaboration with Mimeta, Hivos, Goethe Institute, Stichting Doen, Manya Film Festival, Bayimba and Arterial Network-Uganda Chapter.

Meanwhile, Arterial Network-Uganda Chapter will at the start of next month hold their annual general elections to select their executive committee. All artists and cultural practitioners are welcome to participate. More information can be found here.

kamukamapolly@gmail.com

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Public executions, barbaric torture and forced cannibalism… the brutality of new Amin film

POLLY KAMUKAMA

A man with a rope tied around his neck is pulled like a goat through the streets of Kampala by a group of mean-faced soldiers. They beat and curse him as they lead him through throngs of terrified onlookers.

Moments later, he is hanged at a public square and the gory execution is telecast live on national TV to serve as a warning to all ‘enemies’ of President Idi Amin.

An actor dramatizes a brutal scene in the film in which Amin's henchmen force their victim to the ground and shoot him in the head.

In this terrifying scene, dramatized by an actor during the film’s open auditions in Kampala, Amin’s henchmen force their victim to the ground and shoot him in the head.

This is one of the many gruesome scenes to be depicted in the upcoming film about the martyrdom of Christians in Uganda during the dictator’s eight year reign.

A Distant Grief is an adaptation of a 1979 autobiography of the same name by the renowned Ugandan clergyman and politician Kefa Sempangi, and is set to begin shooting in Uganda early next year.

During the film's open auditions in July, this child actor mock played a scene in which a young victim kneels on the ground and begs Amin's henchmen to spare her life.

During the film’s open auditions in July, this child actor mock played a scene in which a young victim kneels on the ground and begs Amin’s henchmen to spare her life.

The rather gritty book details Sempangi’s lucky escape from Amin’s henchmen, and how thousands of his fellow Christians were either butchered or forced to flee into exile.

Now, the film’s American co-writer and director, Dan Fabrizio, has come out to clarify that he will maintain the book’s brutal and violent parts including accounts of barbaric torture, public executions, rape and cannibalism.

The film's violent content  has been likened to that in 'The Last King of Scotland', a 2006 hit film about Idi Amin in which American actor Forest Whitaker won an Oscar for his lifelike portrayal of the Ugandan tyrant.

The film’s violent content has been likened to that in ‘The Last King of Scotland’, a 2006 hit film about Idi Amin in which American actor Forest Whitaker won an Oscar for his lifelike portrayal of the Ugandan tyrant.

The 57-year-old documentary filmmaker was two months ago in Uganda to audition over 500 local actors seeking to take up roles in the film. He told this blog that he chose not to tone down the book’s shocking content so as to be able to bring out Amin’s true character as a devilish hater of Christians.

His decision is reminiscent of The Last King of Scotland, a 2007 Oscar-winning film about Idi Amin, which was noted for its violence. In one particular scene, a man is hanged by his own skin and left to die after suspended meat hooks are pierced through his body.

“It is rather comforting to know that Amin’s evil deeds could not break the spirit of Ugandans and that of the church,” Fabrizio says of his decision to portray this sort of terror in his film.

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The film’s American producer and director, Dan Fabrizio, says the graphic scenes will help to underline God’s triumph over evil.

The born-again filmmaker and scholar who has previously done some work in Uganda first came into contact with Sempangi’s book in 1990. The two men later linked up and co-wrote the film’s script in 2010.

He notes on the film’s website that the book changed his life in many ways, and that he instantly knew it would make a great movie.

The 192-page memoir has sold a few thousand copies in Europe and America, but is still largely unknown to Ugandans. It is probably the only notable book that charts the very important story of the birth and growth of the born-again church movement in Uganda during the Amin regime.

Kefa Sempangi's 1979 autobiography has sold a few thousand copies in Europe and America but is still largely unknown to Ugandans.

Kefa Sempangi’s 1979 autobiography has sold a few thousand copies in Europe and America but is still largely unknown to Ugandans.

Much of the book’s chapters offer explicit accounts of unthinkable atrocities carried out by soldiers and other top government officials from when Amin seized power in 1971 up until his disgraceful downfall in 1979.

It highlights a number of high profile murders which were carried out in an almost systematic fashion by tall dark merciless henchmen dressed in sunglasses, flowered shirts and bell-bottom trousers.

The drunken gun-toting assassins, mostly from Amin’s Kakwa-Nubian tribe, would storm homes and offices, call out the names of their victims and humiliate them in front of family and friends.

The terrified victims would then be tied up and hoarded into a car trunk while begging for mercy. Only a few were killed immediately. Majority were taken to prison and tortured to death by the most sadistic methods including forcing them to eat their own body parts.

The film was initially meant to cast Hollywood stars Don Cheadle and Dennis Haysbert in the lead roles but will now have to rely on local talent after the duo pulled out over pay issues.

The film was initially meant to cast Hollywood stars Don Cheadle and Dennis Haysbert in the lead roles but will now have to rely on local talent after the duo pulled out over pay issues.

In government safe houses, prisoners were made to kill each other by hitting themselves on the head with sledgehammers. When the killings were quick and merciful, the soldiers cursed in anger. When they were slow and torturous, they rejoiced. 

 Female victims were gang raped before their husbands and children after which their reproductive organs were cut off or set on fire to allow for a slow agonizing death.

The book further alleges that Amin himself often took part in the debauchery. In one particular incidence, Sempangi wrote, the burly tyrant went into a rage and pummeled his friend with a sledgehammer to the head. He then proceeded to cut off the man’s head to take for keeps in his freezer at home.

“For Kefa and other Ugandans to emerge out of this dark period of unthinkable anarchy was a miracle that needs to be shared with the whole world,” Fabrizio says of his inspiration to make the film.

His original plan to cast acclaimed American actors Don Cheadle and Dennis Haysbert in the lead roles and have the film produced by a Hollywood studio has however since fallen through.

He is now hustling to produce the film himself under his novice company, Dogwood Media Productions Ltd. His biggest challenge now is raising the $5m (Shs12.5bn) budget needed for the film’s production.

He has so far only been able to raise $200,000 (about Shs500m) from a crowd funding campaign back in the US, but hopes to raise another $200,000 before end of this year through a series of fundraisers in Uganda.

The film will also now have to rely on local talent with the second and final round of open auditions slated for next month in Kampala. Actors who made it from the first round will be notified in two weeks time from now.

kamukamapolly@gmail.com

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Felistas reigns supreme at film awards

POLLY KAMUKAMA

Ugandan film Felistas Fable lived up to its billing by emerging the biggest winner at this year’s Uganda Film Festival (UFF) awards held at Serena Hotel in Kampala last Friday.

Loosely inspired by the plight of fistula sufferers, the comedy-drama won four of its seven nominations, taking home awards for Best Feature Film, Film of the Year, Best Screenplay and Best Actor.

'Felistas Fable' Producer/Director, Dilman Dila (2nd R), is joined on the podium by some of his cast to receive the award for Best Feature Film.

‘Felistas Fable’ Producer/Director, Dilman Dila (2nd R), is joined on the podium by some of his cast to receive the award for Best Feature Film.

Written and directed by self-taught filmmaker, Dilman Dila, the picture headed to the glitzy ceremony a clear favorite having topped the nomination list and impressed audiences during its two screenings at the festival.

Dila, who got a $10,000 (about Shs26m) grant from Sweden’s Goteborg International Film Festival (GIFF) to make the film, had also publically spoken of his film’s good chances in the days leading up to the awards.

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Esther Sammy (2nd R), the young director of ‘Hooked: Joe’s Story’, receiving the award for Best Documentary.

Eventually, however, the awards for Best Sound, Best Editing and Best Actress (Joanita Bewulira-Wandera) proved all but elusive as his film lost out to Zamora, The Superstition and The Clan’s Wife (Faridah Kuteesa), respectively.

“This means a lot to me because it is the first time I am being recognized for my work in Uganda,” an elated Dila said as he accepted his Film of the Year award, which comes with a bonus prize of a fully-sponsored trip to an international film festival of the recipient’s choice.

Zanzibari filmmaker, Shams Bhanji (R) is joined on stage by some of the cast and crew for his film 'Zamora' as he accepts the award for Best Sound.

Zanzibari filmmaker, Shams Bhanji (R) is joined on stage by some of the cast and crew for his film ‘Zamora’ as he accepts the award for Best Sound.

And the big win rather came as a huge moment of relief for Dila and his film after an unsuccessful spell at the African Magic Viewers Choice Awards (AMVCA) and the African Movie Academy Awards (AMAA) earlier this year.

It was also reminiscent of the awards’ debut edition last year where the historical drama, State Research Bureau (SRB) dominated the event, taking home three awards.

Nigerian actress, Patience Ozokwor, congratulating 13-year-old Rachael Nduhukire (C) for her Special Mention award courtesy of her impressive performance in the short film 'I found My Way'.

Nigerian actress, Patience Ozokwor (R), congratulating 13-year-old Rachael Nduhukire (C) for her Special Mention award courtesy of her impressive performance in the short film ‘I found My Way’.

Elsewhere, Superstition got the biggest disappointment of the night by winning only one of its six nods. Its makers however looked at the up side of things for the film about child sacrifice.

“We feel honored to be rewarded for telling this human interest story, and we hope the film will contribute towards the fight against this despicable practice,” the film’s debutant producer and director, Paresh Gondaliya, told this blog revealing the film has already been selected to participate at this year’s Silicon Valley African Film Festival (SVAFF) due for October in California, USA.

The writer posses for a photo with Best Actress award winner, Farida Kuteesa.

The writer posses for a photo with Best Actress award winner, Farida Kuteesa.

Tanzanian film, Zamora, on the other hand won two of its four nods – Best Sound and Best Cinematography – while high school drama, Reform, and the hit comedy, Spying on Susana, could not make any good of their multiple nominations in the tight 12-category competition.

Faridah Kuteesa convincingly won the Best Actress award, but it was rather a night-to-forget for her veteran Clan’s Wife co-star Yasin Lubowa who lost out to comedian Isaac Kuddzu for the Best Actor gong.

Paresh Gondaliya (L), the producer and director of 'Superstition', is joined by fellow filmmaker Jayant Maru and actress Edlyn Sabrina to celebrate the film's Best Editing award win.

Paresh Gondaliya (L), the producer and director of ‘Superstition’, is joined by fellow filmmaker Jayant Maru and actress Edlyn Sabrina to celebrate the film’s Best Editing award win.

Kuddzu celebrated his win by tightly hugging South African actress, Rosie Motene, who was – along with Nigeria’s Patience Ozokwor – the star guest at the ceremony.

Kuddzu the belted out what was perhaps the heartiest speech of the night in which he dedicated his win to all the single mothers in Uganda. The former Hostel actor was single-handedly brought up by his mother, who also introduced him to acting at an early age.

The Best Short Film award deservedly went to Crying for Help, a daunting tale of a young rape victim’s quest for justice in a corrupt community. The film’s novice director, Daniel Komakech, said he would get a king’s welcome upon return to his war-ravaged hometown of Gulu.

The awards jury (L-R), Faustin Misanvu, Femi Odugbemi and Sr Dominic Dipio, making their submission.

The awards jury (L-R), Faustin Misanvu, Femi Odugbemi and Sr Dominic Dipio, making their submission.

All of this year’s winners received a brand new laptop, a golden crested crane-shaped statuette and a huge plaque.

A total of 18 films – six features, five shorts, four animations and two documentaries – were up for UFF 2014 awards, with each of the 12 categories comprising of three nominees.

Head jury Femi Odugbemi, a Nigerian filmmaker and cinema expert, noted that most of the competing films had poor sound and editing. He however praised the level of acting and animation, but urged the Ugandan government to put more emphasis training filmmakers.

Stingaz dancers entertaining guests at the ceremony.

Stingaz dancers entertaining guests at the ceremony.

Organised by Uganda Communications Commission (UCC), Uganda Film Festival debuted last year with an aim of providing a networking, exhibition and capacity building platform for local cinema.

This year’s festival, which culminated into Friday’s awards, was held under the theme Empowering Ugandans through Film. A total of 179 films participated including 13 non-Ugandan titles.

The weeklong festival also included forums, master classes, workshops, panel discussions and a film expo at various venues across Kampala.

UCC Executive Director, Godfrey Mutabazi, pledged more support to the burgeoning industry.

UCC Executive Director, Godfrey Mutabazi, pledged more support to the burgeoning industry.

UCC Executive Director, Godfrey Mutabazi, challenged Ugandan filmmakers to take advantage of renewed government commitments in supporting the burgeoning industry.

Chief Guest and Minister for ICT Nyombi Tembo on the other hand called for more support for theatre, which he said is the backbone of Ugandan cinema.

Full list of the winners

  1. Film of the Year – Felistas Fable
  2. Best Feature Film – Felistas Fable
  3. Best Screenplay – Felistas Fable
  4. Best Cinematography – Zamora
  5. Best editing/Post Production – Superstition
  6. Best Sound – Zamora
  7. Best Actor – Isaac Kuddzu (Felistas Fable)
  8. Best Actress – Faridah Kuteesa (The Clan’s Wife)
  9. Best Short Film – Crying for Help
  10. Best Student Film – The 7-11
  11. Best Animation – The Vow
  12. Best Documentary – Hooked: Joe’s Story
  13. Lifetime Achievement Award – John Wilson Katende (founder/director, The Ebonies)
  14. Special Mention – Rachael Nduhukire (child actor, I Found My Way)

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UFF 2014 Awards predictions: Our picks in every category

POLLY KAMUKAMA

Nominees for this year’s Uganda Film Festival (UFF) awards are waiting with bated breath as to who will walk away victorious at tomorrow’s glamorous closing ceremony to be held at Serena Hotel in Kampala.

A total of 18 films – six features, five shorts, four animations and two documentaries – are up for awards in a tight 12-category competition that including among others Best Feature Film, Film of the Year, Best Script, Best Actor and Best Actress. Each category pits three nominees.

In this review, we bring you our predictions on how the awards will likely be distributed. Obviously we are not the judges, and things can go either way with awards. But after thoroughly analyzing each nominee, we feel that our picks are the favorite to win.

This year's UFF awards will apparently come with huge bonuses.

This year’s UFF awards will apparently come with huge bonuses.

BEST STUDENT FILM

  1. The 7-11
  2. Nyugunya – Winner*
  3. Trash Cash 

This is one of the least competitive categories in the race with Nyugunya beating the other two contenders by a mile in all fronts. The three-minute silent film by first-time director, Vince Musisi (Kampala Film School) boasts tight scripting, great visuals and an interesting storyline – a notorious phone snatcher finally meets his brutal fate. It should easily take this one. 

BEST SHORT FILM

  1. Missing
  2. Crying for Help – Winner*
  3. Haunted Christmas 

This is the least competitive category for two reasons: Two of the films (Haunted Christmas and Crying for Help) are by one director/producer, Daniel Komakech, which obviously gives him a numerical advantage. And of the two films, Haunted Christmas clearly stands out as a master piece. It’s main arsenal is its breathtaking setting – it was shot in Gulu – and a human interest story – a young rape victim on a desperate quest for justice. A sure win, this one.

 BEST ANIMATION

  1. The Vow
  2. Arms of Clay – Winner*
  3. Mr. Kaye: Olwatuuka 

It is very rare that a short film will beat a full feature in the same category, which is why Arms of Clay has that natural advantage over the two shorts. But it’s not all about having a longer runtime for this film about a greedy rich man’s fall from grace. It boasts an interesting story, has great visuals and was crisply edited. 

BEST DOCUMENTARY

  1. Hooked: Joe’s Story
  2. Afronaut
  3. The Zamrock Survivors – Winner* 

I’m torn on which to give this one because I enjoyed watching all the three films. They are all very educative, informative and tell unique stories. But after a thorough analysis, I have zeroed down on Zamrock for its entertaining nature and the fact that it has a deeper and more informed analysis of its subject matter. It offers a rather refreshing look at one of the forgotten original African music genres. 

BEST SCREENPLAY

  1. Felistas Fable – Winner*
  2. Reform
  3. Superstition 

This is a two-horse race between Felistas and Reform. Both dramas tell interesting stories with themes of redemption and self-realization. Felistas however has an edge when it comes to solid character development, story pacing and the entertainment factor. 

BEST CINEMATOGRAPHY

  1. Zamora – Winner*
  2. Superstition
  3. Reform 

I could as well bet all my life’s savings on Zamora in this category. With the eerie streets, sprawling ocean, beaches and the mixed culture of Zanzibar forming the backdrop for this Tanzanian film, I honestly don’t see the other two competitors standing a chance. The ingenuity of its cinematographer, Cyril Ducottet, further more stands out in the form of blurry inter-lapping images to cover up the explicit scenes and to mirror the characters’ twisted emotions. What an artful piece of work! 

BEST SOUND

  1. Felistas Fable
  2. Zamora
  3. Spying on Susana – Winner* 

It is always hard to predict the technical categories. It’s even harder in this case where all the three films upheld nearly all the classic elements of sound management – catchy original soundtracks, crisp clear synchronized dialogues, use of effects, etc. My bet is that it will all come down to which film has the most infectious, most powerful soundtrack – which clearly goes to Susana. Susana, oliwa mama?… 

BEST EDITING/POST PRODUCTION

  1. Felistas Fable – Winner*
  2. Spying on Susana
  3. Superstition 

This is another hard category to predict but we nonetheless feel it’s a race between Susana and Felistas, with the latter eventually emerging as winner. The major undoing for Susana here is the fact that it has some continuity issues that couldn’t be corrected in the post stage having been shot across a rather lengthy period of five years. 

BEST ACTOR

  1. Yasin Lubowa (Clan’s Wife) – Winner*
  2. Isaac Kuddzu (Felistas Fable)
  3. Robert Enerst Bbumba (Superstition) 

Bbumba was very terrifying as the chain-smoking child kidnapper in Superstition, but his rather impressive performance is overshowed by the fact that he was only in a supporting role while his two competitors were the main men in their films.  On the other, Kuddzu’s character as a lovesick cry-baby man comes off as ‘unserious’ compared to Mzee Lubowa’s dynamic role as a monstrous and womanizing  family figure. 

BEST ACTRESS

  1. Joanita-Bewulira-Wandera (Felistas)
  2. Faridah Kuteesa (Clan’s Wife) – Winner*
  3. Justine Namuganda (Reform) 

Like Bbumba, Bewulira put on an amazing performance in her supporting role as a domineering and foul-mouthed mother. But she’s nonetheless at a disadvantage because her rivals had more screentime in their lead roles. 17-year-old Namuganda on the other hand struggled to show emotions in some parts of her performance. The same however can’t be said of Kuteesa who reduced audiences to tears with her heartbreaking performance as an abused young wife who contracts and eventually dies of HIV/AIDS. 

BEST FEATURE FILM

  1. Felistas Fable – Winner*
  2. Superstition
  3. Zamora 

This is another two-horse race between Zamora and Felistas, and I’m not sure the judges want to give such an important award to a non-Ugandan film. Felistas thus takes it, simple as that. 

FILM OF THE YEAR

  1. Felistas Fable
  2. Superstition – Winner*
  3. Zamora 

In this category, the film’s originality, themes and socio-economic importance supersede its technical perfection. The award thus goes to the most inspiring, critical and socially-conscious film, which undoubtedly in this case is Superstition. The film offers a critical look at the myth and politics surrounding the evil practice of child sacrifice in Uganda. 

kamukamapolly@gmail.com

 

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